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POLÍTICA DE PRIVACIDAD Y PROTECCIÓN DE DATOS
UPCOMING RELEASE: CIVILIAN, REGEN, LIMO, FABRIZIO LAPIANA «DIFFERENT SEASONS VOL.1»
RecordsArtist: Civilian, Regen, Limo, Fabrizio Lapiana. Title: Different Seasons Vol.1.
Label: Out Electronic Recordings. Release Date: May 04, 2015. Genre: Techno.
Tracklisting:
About the release:
Out Electronic Recordings launches “Different Seasons” series, a sequence of various artists releases, featuring new collaborations and stabilizing the old ones. Different Seasons Vol.1 sets Civilian and Fabrizio Lapiana as new entries. Civilian is an unknown Berlin-based artist with the wish of experimenting new aspects of his dance-music personality on Out-ER – ‘One’ is a minded, acid-not-acid cut with plenty of energetic and introspective patterns. Fabrizio Lapiana needs no introduction, the roman artist built his own crystalline sound in the last seven years, releasing on his own imprint Attic and on M_REC – ‘Aubergine’ is a tasty, bleepy and limpid cut perfectly into the label’s musical range. Limo and Regen, whose profiles got already known through the label’s audience, return with their typical sort – dub and swinging from the Serbian producer with ‘Reduct’, steady and gloomy from the Transition LAB label owner with ‘DarkDubTek’.
About the label:
Out Electronic Recordings aims to release underground dance music created by producers that translate their vision in sounds, trying to define a new way into the grey and loopy scenario, looking forward to deliver the best quality-oriented tracks following the artists’ inspirations not trends.
Listen:
REVIEW: THE PRODIGY «THE DAY IS MY ENEMY»
ReviewsArtista: The Prodigy
Album: The Day Is My Enemy
Sello: Cooking Vinyl
The same jilted generation
Hacerse mayor es nefasto para quienes se especializaron en gritar con el torso desnudo. Envejecer puede resultar patético, si se interpreta recurrentemente el mismo papel toda la vida. Ya han pasado 6 años desde su anterior trabajo, Invaders Must Die, y el mundo no se ha detenido desde entonces. Da igual lo indiscutiblemente influyentes que fueron en la música de su tiempo y lo oportuno de su descubrimiento para toda una generación. Esta vez iban a necesitar muy buenas razones para despertar del coma.
Pero este largo silencio no ha sido inactivo. La cocina de su nuevo álbum, The Day Is My Enemy, ha requerido todo este tipo, más por aburrimiento que por afán perfeccionista. Su oscura y violenta irregularidad es fruto del clima tormentoso y los giros bruscos en su gestación. A diferencia de los eternos camaleones que saben adaptarse a las últimas tendencias y conseguir sonar contemporáneos, The Prodigy no tienen otro recurso que la obstinación. Van a lo suyo, a defender su hueco en la historia, como un anacronismo programado que se dispara de vez en cuando en clave de revival. Sin embargo, esta vez no les ha ido mal el intento. El espacio tiempo se ha plegado para hacerlos converger en una nueva realidad, rabiosa y desmotivada.
Sin modificar apenas la misma fórmula en 20 años, su música vuelve a parecer fresca e impactantemente moderna. Es muy difícil de entender. Podríamos pensar que el universo ha retrocedido para volver a estrecharles la mano. Sonar como una parodia de sí mismos -algo que les ocurrió, por ejemplo, a los The Chemical Brothers en Futher– es un peligro real, pero ellos ya están a vueltas de todo. Aunque ya no alcanza a intimidar a nadie, estrangulado por su propia pose de malote cyber punk, Keith Flint debe estar como unas pascuas con su nueva excusa para volver a recorrer los festivales de verano y pasar el sombrero.
UPCOMING RELEASE: FRANCESCO TRISTANO PRESENTS BODY LANGUAGE VOLUME 16
RecordsArtist: Francesco Tristano / various artists. Album: Body Language Volume 16. Label: Get Physical Music.
Release date: 01-05-2015.
Tracklist:
01. Francesco Tristano – Ongaku (exclusive)
02. Joe Zawinul – The Harvest
03. Luciano & Francesco Tristano – Amnesie (exclusive)
04. Julio Victoria – Impermanent (exclusive)
05. Danton Eeprom – Hungry For More
06. NYMA & Carreno is LB – Lunar Fringe
07. Francesco Tristano – Gaza World Cup (featuring P41) (exclusive)
08. Faktorm – Faith (exclusive)
09. M.A.N.D.Y. – Obsessed
10. P41 – Lalguer (exclusive)
11. Francesco Tristano – Jinguru (exclusive)
12. Francesco Tristano – Chester Copperpot (featuring P41) (exclusive)
13. Francesco Tristano – Sarasani (featuring P41)
14. Francesco Tristano – Dminorloop
15. Savvas Ysatis – Fade to Black (exclusive)
16. Cardopusher – 1989 Warehouse
17. Francesco Tristano – Place On Lafayette
18. KhalifeSchumacherTristano – Afrodiziak (Reboot Remix) (exclusive)
19. DJ Pierre – What is House Muzik (Roland Leesker Love Mix)
20. P41 – My Difficult Child (Studiovacanze Mix) (exclusive)
About the release:
For a long time, Francesco Tristano has behaved, musically, like a wild child making fun of his parent´s supervision, and repeatedly ran away from home to visit forbidden locations. One only has to review last year´s agenda of concerts: in between solemn dates in important venues all over the planet where he interprets programs of baroque and contemporary music, centring around composers like Johann Sebastian Bach, Maurice Ravel, George Gershwin or Dietrich Buxtehude on the piano, are several commitments under the epigraph `Francesco Tristano live´. Those escapes have little to do with classical music; quite the opposite actually. They show that Francesco´s commitment to electronic sounds remains as alive as when he started to release his first “dance” records on Infiné, even though over the last years he consolidated his position as one of the most requested pianists with one of the most brilliant repertoires of his generation.
When Francesco Tristano escapes to a club, the spirit which possesses him is the one of Techno, specifically the original Detroit sound. There, in the heat of the cabin, he switches from piano to synthesizer, from pedals to software and what flows out of the speakers is a kind of music, which can only fit in this hedonistic context and the celebration of the body: expansive, rhythmic, emotional, sprinkled with piano stabs and unstoppable grooves. The material he uses is typically self-composed and unreleased, secretly produced in seclusion, to nurture a musical discourse, which only makes sense if it´s carried out like some kind of jam session, with the continuity of a DJ set, without exactly being a classic DJ set. There are transitions, but there are no mixes; and if there are tracks by other artists, they appear as elements facilitating the creation of a live remix. And from this accumulated experience, the idea and the content of volume 16 of the Body Language series was born.
Part of the Techno material Francesco Tristano was working on over the last few months has already appeared last December on the “Piano, Hats & Stabs” E.P., his first record for Get Physical. Some of those tracks are re-appearing now on “Body Language” in the form they were originally intended to be: as pieces, designed to fit into a much more ambitious and complex construction. With the exception of “The Harvest” – a Jazz classic, identifiable as Proto-Techno, that opened Joe Zawinul´s album Dialects (1986), which importance could be compared to Herbie Hancock´s “Rockit”, Francesco Tristano´s entire journey expresses itself in form of original productions (“Ongaku”, “Jinguru”), written in collaboration with other musicians. Here we are listening for the first time to “Amnesie”, half-half with Luciano, or the new project KhalifeSchumacherTristano, which was born from the ashes of “Aufgang” and remixed by Reboot – or material that was given to him by partners of the label, friends and other artists from his surroundings, like P41, aka the sound engineer Edoardo Pietrogrande; or Danton Eeprom, ex-partner in the Infiné days; Cardopusher, neighbour in Barcelona; and also M.A.N.D.Y., representatives of his new home-label, Get Physical.
On a traditional DJ album, the added value lies apart from the musical selection in the bravery of the mix. In the case of Body Language, the importance is not so much in the beat-matching, but much rather in the key-mixing. To round off the transitions of the tracks, Francesco Tristano has deployed all his musical wisdom, to add layers of synthesizers and piano attacks all over the place, to complete the rhythmic journey with a dense harmonic richness. His own tracks are born from piano grooves – you might even notice some chords borrowed from the «Suite In A Minor» by Jean-Philippe Rameau, one of the most important composers of the French baroque – and are always expanding in the depth of outer space. The result may sound familiar on first listening, but it becomes deeper when paying attention to the details and chord progressions. The architecture of the composition is actually quite surprising: Deep House and Detroit 2.0 with a sonic density, which is unknown in contemporary club music. The expression that best describes the musical philosophy of Francesco Tristano might be “Bach to the Future”. On Body Language there is no Bach, but the future is constructing itself minute by minute.
LUCY Y BEN KLOCK ANUNCIAN «WAR LULLABY»
NewsBen Klock y Lucy son productores experimentados que se han currado unos nombres como innovadores de la escena techno. Además, cada uno por su parte, han demostrado en varias ocasiones que pueden trabajar perfectamente a dúo con otro artista sin sacrificar un ápice de su propia estética.
En el caso de Lucy (dueño de Stroboscopic Artefacts), su colaboración más conocida ha sido con su compañero Speedy J. Juntos crearon el increíble proyecto Zeitgeber. Ben Klock ha sumado fuerzas con Marcel Dettman para crear algunos de los sonidos más interesantes del label Ostgut Ton.
El EP se publicará el próximo 4 de mayo en 12″ y digital por Stroboscopic Artefacts. Ya puedes escuchar un adelanto:
DANIELE ANTEZZA (DADUB) PUBLICA SU PRIMER ALBUM EN SOLITARIO
NewsDaniele Antezza es la mitad de Dadub y el disco será publicado el 8 de junio como Inner8.
El disco tendrá 12 tracks, a modo de embriagadora pieza artística más allá de su particular identidad sonora: contemplación, acción y elementos esotéricos y exotéricos. Será publicado en Undogmatisch, el nuevo sello que Antezza ha fundado junto a sus colaboradores habituales Mirco Magnani (aka T.C.O.) y Valentina Bardazzi.
Como adelanto podemos escuchar el impresionante track «The Irony Of Karma».
REVIEW: EMIKA «DREI»
ReviewsArtist: Emika
Album: Drei
Label: Emika Records
Release date: 04.05.2015
Libre
El estatus de Emika como una de las artistas más cautivadoras, innovadoras y ambiciosas de la escena electrónica se consolida con la publicación de su nuevo álbum “Drei”, el segundo que ha lanzado este año y el cuarto de su carrera.
Desde el primer momento, nos dejó impresionados con su personal visión musical, a partes iguales entre Blondie y Kraftwerk, el romance y la ciencia ficción. Sus dos primeros álbumes “Emika” y “DVA”, publicados en Ninja Tune, la marcaron como uno de los más excitantes nombres en la nueva generación de artistas do it yourself.
Emika produce, canta, escribe, actúa en directo y selecciona los visuales. Realmente, es una artista a cargo de su propio destino. Ha sido número 1 en iTunes Canadá y 2 en USA con su versión del “Wicked Game” de Chris Isaak y su track “Professional” ha sido sampleado por The Weeknd. Gigantes como McLaren, Gucci y Paramount Pictures (en Misión Imposible: Protocolo fantasma) han utilizado sus composiciones en alguna ocasión. Además, Emika fascina a la audiencia en sus actuaciones alrededor del mundo.
“Drei” es la confirmación de una artista por fin cómoda y sin ataduras. Publicado en su propio sello, Emika Records, fue escrito en solo dos semanas y completamente producido, interpretado y mezclado por ella misma. Es un producto más de una incontenible ráfaga creativa, que la empujó a ser DJ, componer una sinfonía para una orquesta de 70 músicos y montar un nuevo sello en apenas un año.
Emika es una compositora que traduce sus sentimientos personales más profundos en música, impregnados en sus melancólicos paisajes sonoros. Los delicados arreglos fluyen a través de los estados de ánimo exhibidos en el disco, confirmando su talento como artista y productora. Repleto de logros sorprendentes y sutiles, “Drei” alcanza un nivel comedido, sereno y experimentado.
Celosa de sus virtudes y defectos, esté equivocada o acierte de lleno, Emika ya no se deja doblegar por nadie. Como los verdaderos artistas, es dueña absoluta de una creatividad única y asume la enorme responsabilidad que eso conlleva.